Kathryn Bigelow’s A House of Dynamite arrived this month as a Netflix event movie that refuses to be comfortably categorized. The film—an ensemble, White House–set thriller about a single, unattributed missile on a collision course with the United States—plays like a real-time moral pressure test: seconds count, authority clashes, and the camera stays tight on … Read more
In a year crowded with high-concept films and headline-grabbing performances, Bugonia — the new dark sci-fi satire from Yorgos Lanthimos starring Emma Stone and Jesse Plemons — has become one of the most talked-about releases of 2025. The film premiered in competition at the Venice Film Festival and opened in U.S. cinemas in late October. … Read more
In a marked shift from his blockbuster persona, Dwayne Johnson takes on the complex role of Mark Kerr—famed mixed‐martial-arts fighter turned troubled icon—in the biographical sports drama The Smashing Machine, written and directed by Benny Safdie and released by A24 on October 3 2025. The film debuted to strong critical buzz—especially around Johnson’s performance—and grapples … Read more
The chilling handset is ringing once more: the horror sequel The Black Phone 2 arrives this October, and it brings with it questions about who should watch it, how the storyline builds on its predecessor, and how families can decide whether it’s appropriate for younger viewers. Four years after the events of the original film … Read more
Thirty years have passed since Edward Burns’s The Brothers McMullen captured hearts with its intimate portrait of love, faith, and family. This autumn, Burns brings audiences The Family McMullen, a sequel that swaps youthful romantic uncertainty for the deeper tensions of midlife, legacy, and second chances. With its R-rating (for language) by the MPA, the … Read more